Video

The video work grew naturally from the hundreds of still photographs I make while exploring reflections and abstract patterns in the city. Many of these images were shot at ten frames per second, and I often wondered what the scene might have looked like if you could have watched it unfold in slow motion — if the shifting colours, lines and distortions could be seen as a single continuous movement rather than isolated moments.

These short films are built from those individual frames, stitched together using high-end video software to recreate the rhythm of the water as moving art. Nothing is invented; the motion comes entirely from the real behaviour of light and surface, simply revealed over time.

If the still images invite you to look twice, the videos offer the chance to watch the same world breathing — abstract, hypnotic, and entirely in-camera.